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发表于 2021-11-12 05:23:00
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Strong is unsure how old he was when his father left. “My mum’s never told me,” he says. This would seem to be a gaping hole in his personal history, but he doesn’t experience it like this. He has no memories of his father; no photograph. “And if you don’t remember somebody that you haven’t grown up with, I don’t feel I’ve missed out on anything,” he says, forgetting for a moment that he missed out on the handbook of life; or maybe he is answering himself like he answers the people who missed out on university. He missed out and didn’t miss out.
Strong was christened Marco Giuseppe Salussolia – the same name as his father. He looks Italian, and with his angular white shirt collar breaching fine grey knitwear, is dressed for a stroll on the Via dei Condotti in Rome. He feels a strong connection to Italy. When watching the Euro 2020 final between England and Italy he “really did feel like a neutral”.
“When I go back there, I feel like I’m at home,” he says. “Liza [Marshall, his wife] says, ‘My God, you look just like everyone!’ Especially when I get a tan. I’ve been looking into whether I can reclaim that heritage.”
Italy’s “law of blood” makes it possible to claim citizenship through the paternal line. “I would love to do that,” he says. A friend of a friend who does family trees is helping him investigate. He and Liza have two sons, Gabriel and Roman, aged 16 and 14. “I would love them to have a share in that as well. So that when they grow up they can take part in Europe.”
It must have occurred to Strong that if he goes in search of his Italian heritage, he may find his father. But he seems unfazed by this possibility. “I could find him if I wanted to. I’m pretty sure he knows who I am,” he says. After all, if his father were to type his own name into Google, he would immediately see thousands of pictures of Mark Strong. “He’ll have seen a movie that I’m in,” he says. I can’t help thinking of the fact that he has made so many.
As Jim Prideaux in the film of Tinker Tailor Soldier Spy.
As Jim Prideaux in the film of Tinker Tailor Soldier Spy. Photograph: Focus Features/Allstar
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“But it’s that thing – we’ve had two completely separate lives. I totally understand … ’cos he remarried, he’s got a different life, and I’m not sure he wants to get back in touch. I’m sure he would have done if he wanted to.
“I’ve grown up on my own and made up my own life, if you like … I don’t want somebody coming in who has any claim on that whatsoever.”
In a way, Strong long ago laid claim to himself, because from the age of six his mum sent him to a state boarding school for children of one-parent families. When he was 11, she returned to Austria, and he stayed behind.
Boarding school was very regimented, and this is probably why he likes “things that are systemic”. “You had to strip and make [your bed] in the mornings. Some senior would walk through the dorm kicking the end of your bed to wake you up, then you had to go downstairs and lay the table for breakfast … And you had to lay it properly because if you didn’t, some bright spark senior would give you the punishment of drawing 100 correct table layouts.” His wife thinks this boarding school life is “the root of all evil”. He still makes the bed each morning.
I was a really quite easy-going kid. I took everything in my stride. Because there was no blueprint, I was open to anything
There was a prescribed time for writing home. His mum kept the letters. Strong read them recently and they are pretty much the same. “Dear Mum, I am well. Hope you are well. Please send sweets.”
This feels poignant to me, but Strong sounds amused by his childish self, as if it is funny that sweets were all he wanted, or all he asked for. “I was a really quite easy-going kid. I took everything in my stride. Because there was no blueprint, I was open to anything.”
In a very literal way, it makes perfect sense that lacking a script, Strong started to act. He moved to Munich to study law at university (his mum was living there by then) – but became fascinated by the antics in a classroom he passed on his way to lectures. One week, he looked through the windows and the students “were falling into each other’s arms”; he throws back his arms to demonstrate. He was “totally bewildered”. People falling, no safety net, except each other. Only later did he realise it was a trust game. If he had had some sort of authority figure in his life, he might not have done what he did next.
Mark Strong photographed in central London, 13 October 2021
‘I now have my family, and they take all of my love and attention’ … Mark Strong. Photograph: Alicia Canter/The Guardian
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“I’m sure they would have dissuaded me. At that time, headed for the law, they would have all said: ‘You’re nuts!’ But I had nobody saying that to me.”
He returned to England and started a degree in English and drama at Royal Holloway, followed by stage school at Bristol Old Vic, after which he “did theatre” for 10 years. Cast and crew became another sort of family, the script and stage directions a blueprint of sorts. “You’ve got to say exactly what’s on the page, and you’ve got to move exactly where you’ve got to move because other people are relying on you.” And the audience, of course, provided “that intangible connection”, the emotional feedback “that feeds the soul”.
I wonder if the possibility that his father will one day seek him out is always in sight for Strong, like a winking light seen out of the corner of an eye. He says not. “See, that is a very romantic notion. That’s the angle people come at me from when they say, ‘Oh you should, you know, you should catch up.’ And if I’m dead honest, it’s not anything that I need. I believe it would only cause problems, if only to my mum. I’ve got to be respectful of her effort as a young woman. Because he’s not only my dad, he’s her ex-husband. It would be terrible if we suddenly became great mates and she’d done all the work. So I am mindful of her. But also, I now have my family, and they take all of my love and attention.”
He thought a lot about the sort of father he wanted to be. “I was always aware that there’s instinct, and then there’s … controlled behaviour. I was always asking: ‘What’s the best way to be a good dad?’ I had to learn patience because things could make me fly off the handle. The boys are growing into two lovely young men, so I feel proud.”
Strong with Stu ‘Large’ Riley in Kick-Ass.
Gangster style … Strong with Stu ‘Large’ Riley in Kick-Ass. Photograph: Universal Pictures/Cinetext/Lionsgate/Allstar
Strong has an impressively moderated demeanour. He is personable and open. It would be understandable if he had been an angry child but he says he was not. “I got angry as I got older. The tension started to creep in.”
He plays football with other actors, directors and writers in a side called the Friday Rovers, and some years ago the captain wrote to him after Strong had yet again attracted the attention of the referee (“never physical, but a lot of verbal silliness”). The email contained the line: “Where is the rage coming from?”
Strong isn’t sure of the answer to that when I email him again a few days after we speak. “Anger is usually born of frustration, so maybe the complications and responsibilities of adult life?” he says, as if hazarding a guess, although surely he keeps a more precise answer tucked away for himself. He “fixed” the issue but “it took years”. In any case, on the pitch, he is no longer “the guy that does the moaning” – but control versus instinct is a bit of a running theme.
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It is funny to think of him losing the plot on the pitch, because in front of the camera and on stage he has absolute self-mastery. “Whereas the thing about physical movement like football is, you’re on the edge of not being in control. Great players can be in control,” he says, citing Maradona, though I’m not sure that’s who I’d pick as a model of control. “Acting, on stage and on film requires discipline.” His technique is about control of the minutiae, those subtle adjustments to eyelines and marginal tilts that make him seem so commanding.
It is curious that, lacking what he has called “an authoritarian figure”, Strong has played so many of them. He was even the voice of the government in its Covid-19 public service advertisements. “But I’m not sure there is a link to having had an authority-free upbringing,” he says. So he hasn’t played the part he missed out on – or didn’t miss – as a child? “I certainly don’t seek out those kind of roles,” he replies. “They just seem to come my way.”
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